1: Stretch the wire: The wire retains its Circular shape from the packaging and shipping process, I unwind the spool of wire and let it breath for a night, spanning it in straight paths across the studio. Un tensioning this wire is a continual process during the framing process., the tension retained in the wire is unbelievably strong and must be burnished out as the wire is used in the sculpture.
2: Bend the Wire into an Animal: After deciding the starting point and developing a plan, the spatial thinking comes in effect, I may hang it on a hook, turn it upside down, even perpendicular. I print out a bunch of google photos of the sea animals to have images on reference and place them on the table. Zip Ties are the preferred method of connection.
3: Apply the Six-Pack Rings: They are amazingly versatile and create an almost invisible skin for the animal. Placing the rings seems random but is a carefully thought out process. Zip ties again are used and I have created a special belt I wear during this process, here is a picture of the belt setup:
I have my Clippers on hand to snip the end off the zip ties and never have to scramble to find a zip tie while holding a bunch of six pack rings and wire together to connect.
Yes that is a penguin in the making in the background! It is finished, it is made from one piece of uncut wire, and I will be photographing and posting it soon..
4: Photograph the Sculpture: Each Sea animal is photographed with a black backdrop, I mix flashes with sunlight and long exposures to bring out the natural energy of the sculpture, sunlight bounces around inside the creature to create a evenly lit glow.
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